I haven't felt the need to use LR, I do a lot of work in ACR but on maybe a
third of my images I spend quite a bit of time in CS5. Layers and masking
are still very important and cannot be done in ACR or LR as far as I know.
There is some limited capability with adjustment brushes but they are very
minimal for precise work.
BK
Where did you find CS6 by the way? heh.
""Only the print contains the artist's meaning and message." "
----- Ansel Adams
J Bryan Krämer North Florida, USA
photos at: http://pbase.com/photoburner
blog at: http://www.photoburner.net
On Fri, Feb 4, 2011 at 10:40, michael cothran
<michaelhcothran@comcast.net>wrote:
> I think that photographers are working more in LR and ACR (or Aperture or
> Phocus or Capture 1 etc etc) and less in PS than before. I doubt that PS
> will ever be completely abandoned as there are still too many applications
> within PS that cannot be done elsewhere. But as RAW converters become more
> advanced in their technology and tools, less work will be needed in PS.
> It's interesting how Adobe has turned out lately, offering ACR, LR, and PS,
> all under the same roof. Thomas Knoll (PS creator) once disclosed to Jeff
> Schewe in an interview that he has two totally separate groups of engineers
> and designers working in ACR and LR, with a green light for each department
> for advancements.
> For some reason, I chose to work in ACR over LR when I purchased CS3. But
> LR is more advanced in certain areas to the point where I will purchase it
> when upgrading to CS6.
> Since I shoot with a Hasselblad, I also have access to their RAW converter,
> called Phocus. It, too, is a powerful application, as is Aperture, but
> somewhere it comes down to chosing one over another, and going with it. LR
> and PS make a compatible marriage. So does ACR and PS.
> As they say on another forum - "different horses for different courses."
> Michael H. Cothran
>
>
>
>
>
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