Shoot on an overcast or cloudy day so there is even lighting with no
hot spots in your booth. Currently my eye immediately goes to the top
over the back right wall. It's the brightest area of the picture. You
can also double the canopy walls to cut down on back lighting.
Take the glass out of the frames to eliminate reflections.
If you don't want to the glass out, shoot all three walls in three
different pictures hanging black fabric on the other two walls. That
will eliminate reflections on all the framed pieces so pieces can be
cut out of one picture and dropped into the master picture.
Eliminate the smallest size frames.
Spread the work out as if it were in a gallery.
You need to include a bin of unframed work if you intend to have one
in your booth at a show.
A carpet isn't necessary if you can eliminate all the clutter on the ground.
Larry
>Since Matt is asking publicly, this would be an excellent
>opportunity for you (Larry) to share the "additional problems" with
>the entire group. It would be beneficial to all of us. And you have
>certainly requested of others in the past to post such responses
>rather than send private messages.
>Michael H. Cothran
******************************
Larry Berman
412-401-8100
Art Show Imaging and Jury Services:
http://BermanGraphics.com
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