I have some more large framed images in various states of completion. I agree on that
the orange is lower than most of the art. it's actually good at drawing attention to my really profitable matted work and make a sale from people seeing the big work. From traffic experience the orange doesn't cause problems.
I've thought about the feet but the kinds made for those don't let you connect the panels together also. I saw someone with the same panels (major supplier in my area) and they had some really strange layout that looked worse with the feet.
not a bad idea on the weights. even if I cover them the ropes show which would need replacing too. I'll put that on my list.
what do you think about the general layout? would two walls be better?
On Jul 24, 2011, at 1:34 PM, redev2002 wrote:
>
>
> A couple of observations. The bright red table cloths are both a blessing and a curse. They can draw attention to an otherwise monochromatic booth, while also detracting from your art. I think I would mute them down a bit.
>
> You should consider adding some adjustable feet to your panels. A simple flange bottom with a screw adjustment like a threaded pipe should help in all but serious slope conditions.
>
> I would add a few more framed images in the large (or larger) size to better draw attention to the art.
>
> Lastly, consider a simple cloth cover for the CMU weights. You just want to keep from drawing undue attention to them.
>
> -Dale
>
> --- In artshow_photo@yahoogroups.com, Kevin Carlyle <kevin@...> wrote:
>
> >
> > looking at it what suggestions do people have in general?
> >
>
>
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